11.20.2009

close focus























Just Before Zenya
© kjm

I heard an interesting interview with the photographer Judith Fox today on Fresh Air. In her book, I Still Do: Loving and Living with Alzheimer's, Fox has made beautiful, intimate photographs of her husband as he suffers through the disease. It made me realize that I haven't made many meaningful pictures of those closest to me. I've never found it easy, but that isn't really an excuse, is it? This picture, of my brother Kurt and his wife Ruth, may be an exception.

11.17.2009

i love this photo, #34




















© Jon Horvath

I love this photo by the Milwaukee-based photographer Jon Horvath.

The image, Jon explains, "is from a series titled, Subterranean, which became a meditation on the nature of the Basement. I've always been fascinated with how these spaces can simultaneously enshrine the objects of our pasts, as well as conceal them from our everyday existence. It is a place suggesting a passage of time, halted and compressed, into one solitary event."

11.15.2009

salt + pepper


halloween costume mustache
© kjm

11.12.2009

chicago show + tell








Dave Jordano, left, Colleen Plumb, center, Brian Ulrich, right © kjm

I love it when artists whose work I admire turn out to be the nice, thoughtful people I hope they are. Thus was the case on two recent trips to Chicago - the first, with my class from MIAD, when we visited Dave Jordano and Colleen Plumb. Then, a week later with the Photography Council of the Milwaukee Art Museum, where we paid a visit to Brian Ulrich.

Thank you all for sharing your work and time!

11.10.2009

within reach: rouen























postcard on the bedroom wall
© kjm

[within reach is a series of photographs examining the environment of home in detail]

11.02.2009

within walls























the bathroom and hall closet doors © kjm

A year ago, I was asked to write an essay to accompany a photography book. The sponsor (it was a benefit for a charity) had seen my Early Places series and asked me to reflect on the importance of home. My essay never made the cut, but I was pleased to be asked, and thankful for the opportunity to reflect on the subject. I thought I'd post it here, and upon reading it again, it probably should be the artist statement for Early Places.

Within Walls

At the entrance to my sister’s bedroom in my childhood home, the wooden floor panels creak. They did when I was a child, and they still do, decades later - I know this because my mother still lives in the house. And so I also know that there’s always been a dowel missing from the second floor banister, that the first step into the attic is oddly higher than the others, and that the door to the spice cabinet sticks slightly when pulled.

Within our lifetime, we may call many different places home, and the memory of these spaces can be powerful. When recalled, what we remember is not an overall view, but rather details - the texture of the place. The sound of a screen door slamming, a pattern of wallpaper, the smell of a basement laundry room.

Similarly, what occurs within the space we call home is an accumulation of small moments, the intimate texture of our lives. Within walls and throughout rooms, this is where our daily lives unfold. At the kitchen table, for example, we share nourishment and read the news of the day; it’s where we pay bills and where we discuss what we’ve learned in school. It’s where we blow out candles on birthday cakes.

In the living room we tune in to both history and hooey, we read quietly under the warmth of a blanket, we wrestle siblings on the carpeted floor. In the basement we create and repair; and in the bathroom we cleanse, beginning and ending our days. In the bedroom, we dream.

In the most basic terms, a home is structure – a roof and four walls, providing shelter and protection for its inhabitants. But in intimate terms, the elements of home provide human structure – which anchors both our lives and our memory - through the power of place.

10.30.2009

techni-









© Erik Lunsford

This has been the best year for Fall color that I can remember in a long time. A week ago, I drove through the curves of State Route 394 in Eastern Ohio, with my hands on the wheel and my jaw in my lap. Back in Milwaukee, I've been staring - up at trees, out my office window at sun shining through leaves, at yellow maples illuminated by streetlights, and at wet, slick color smeared on the road. And I've made no pictures to capture what I'm experiencing.

Slightly frustrated, I found these two winners by the St. Louis photographer Erik Lunsford, whose work and blog I find refreshing. When I worked at a newspaper, I never took time to make pictures like this.

10.28.2009

i love this photo, #33






















© S. Billie Mandle

I love this photo by the photographer S. Billie Mandle. I met Billie at Review Santa Fe this summer, and we had a fun (and for me, enlightening!) conversation about teaching. Billie teaches at the Massachusetts College of Art, and was gracious in her advice about all things relating to students, performance and expectations. Here's Billie's artist statement about the series from which the photograph comes:

These photographs were made in confessionals, the small rooms found in Catholic churches where people confess their sins. Most major religions have theologies of repentance -- what makes the confessional unusual is that it acts as a physical manifestation of an abstract idea. It gives form and structure to the interiority of penance. The walls and kneelers embody the thoughts and prayers of the penitents, and the penitents in turn leave their mark on the confessional. I am interested in how the photographs, as physical objects, might speak to what is intangible and ineffable about these spaces.

10.26.2009

fast break















Win-Cemetery Road Location, #1 and #3 © kjm

A recent discovery, while heading to the Columbus, Ohio, airport.

10.24.2009

within reach: unleafy


















forgotten salad spinner incident © kjm

[within reach is a series of photographs examining the environment of home in detail]

10.22.2009

partner (in crime)
















Nancy Spero installation at the Cairo Biennial, 1998 © Marilu Knode

I can't take credit for the fact that Marilu started has a blog, but the fact that she's had to hear me talk about mine for so long ("blah, blah, blah," as we're fond of saying), certainly didn't hurt. But more to the point, the woman has things to say.

Questioning Contemporary Art is a smart and thoughtful site, and if you haven't visited it already, her latest entry is a great place to start, with her thoughts on the recently-departed artist Nancy Spero.

10.18.2009

within reach: first



















the first frost of the season © kjm

[within reach is a series of photographs examining the environment of home in detail]

10.14.2009

add to cart
















© (clockwise, from top left) Emily Shur, Liz Kuball, Aline Smithson, Timothy Briner, Mark Menjivar/Kate Bingaman-Burt

On the roller coaster fun ride that is freelance income, my rickety car has been rolling (slightly) downhill lately. So I was able to add to my collection of photographs with some recent, superb online purchases. From 20x200, I scooped up work by two California photographers I've admired for a while now: Emily Shur and Liz Kuball. From the new 52 Editions, a wonderful cafe image by Aline Smithson. Photographer Mark Menjivar teamed up with illustrator Kate Bingaman-Burt on a unique food journal, with all profits going to charity - which I purchased at Ampersand. Lastly, Timothy Briner had a fundraising pre-sale from his fabulous Boonville project, and I was able to score an 11x14 fiber print. I can't think of a better way to spend $212.00 - after all, the roller coaster will likely be heading up hill soon.

10.12.2009

passage















Saul Steinberg In Nose Mask, New York, 1966, left,
Paper Cup with Shadow, New York, 1975 © Irving Penn

On hearing of Irving Penn's death, I sat down with Passage, one of my favorite photo books. I was thinking I'd determine my favorite Irving Penn portrait, and post it here - a silly and impossible task, I soon realized. I think what I love about his work, both the portraiture and still life, is that there's such a straightforward and graphic approach to his image-making, and yet the content is always quite powerful. I often think it must be easier to make portraits of the famous and recognizable in our society, but Penn's pictures seem incredibly honest to me. From what I can tell, he approached Tom Wolfe and Pablo Picasso with the same care as he did a Parisian balloon seller or a Moroccan shepherdess. Or ginko leaves and found cigarettes, for that matter.

10.10.2009

with reach: reboot



















paper clip as tool © kjm

[within reach is a series of photographs examining the environment of home in detail]

10.06.2009

fast (fake) fern























Natural Bridge Road Location, #1 © kjm

10.04.2009

within reach: burn


















lonely ice cube © kjm

[within reach is a series of photographs examining the environment of home in detail]

10.02.2009

sans camera
















(partial map of the Boundary Waters Canoe Area)

Something I saw last week that I wished I'd been able to photograph: A closed-down Hardee's in Two Harbors, Minnesota.

Something I saw that would have made a wonderful stock photo: My friend Andy paddling his kayak, silhouetted in the sun and water.

Something that occurred, that no photo would have done justice to (ok, maybe video): A sustained wind for 20 hours, gusting to 50 mph, that kept us stuck on a rocky island for an extra day.

Something I experienced last week that I didn't need to photograph to appreciate: On the last morning of our 5-day trip, a short, solo canoe paddle in the early morning mist.

9.25.2009

away























South Blue Lake © kjm

The scrawled items on the list on my desk are nearly illegible. The list contains words that make no sense living in such close proximity: Cous cous. Alarm. Dr. Bronner's. Bank. Socks? Triennial. Charger. Bills.

I'm going on vacation tomorrow, and many of the list items pertain to that, while others are real life, business-type items which will have to wait for my return. In the meantime, I'll be paddling a canoe through pristine lakes, enjoying the company of close friends, and hopefully not having a reverse nervous breakdown from being away from illuminated screens. In addition to the cous cous and socks, I'm bringing along Michael Pollan's In Defense Of Food, which I hope to devour (sorry), a blank notebook, and (gasp) no camera.

I'll be back in about a week, relaxed and recharged, and ready to stare down that list. See you soon.

9.20.2009

as seen: over, under



















discarded napkin that resembles a cloud © kjm

9.16.2009

i love this photo, #32























Orange Tree / 2009
© Eric William Carroll

I love this photo by the photographer Eric William Carroll. It's one of many beautiful images in the Michael Mazzeo Gallery online exhibition, Arbor.

In the online exhibit, Carroll states, "My images begin at 1:1 scale. I use large, wallpaper-like sheets of light sensitive paper to capture my subject's shadows. My slow, camera-less process is the antithesis of contemporary photographic technology. I am interested in distilling photograph to it's most basic elements of light and timing, in an attempt to minimize form through long exposures. Everyday objects, spaces, and moments are frequent subjects. My art stands as a reminder that human experience, and our memories of it, are transitory and intangible."

9.14.2009

fast and loose























Highway 51 Location, #2 © kjm

One from June that I overlooked while editing.

9.12.2009

i love this photo, #31


















© Pamela Pecchio

I love this photo by the photographer Pamela Pecchio. I'm really drawn to a lot of her work, especially her series Habitation. But this photograph is taken from her series Landscape, of which she says, "... the photographs are made from the place where we often experience the landscape, inside our living spaces. This particular photo was made in Baton Rouge, LA and is of a live oak tree in a park, through the passenger side window of my car. The window was actually covered in sap."

[See past 'i love this photo' entries here.]

9.10.2009

as seen: mend


















tailor shop window © kjm

[view previous as seen photos]

9.08.2009

within reach: fake


















vegetarian barbeque rib sauce © kjm

[within reach is a series of photographs examining the environment of home in detail]

9.05.2009

after class


















red napkin on book © kjm

9.03.2009

front row























Homer Adams Parkway Location, #1 © kjm

9.01.2009

class picture



















© kjm

Well, the first day of the Professional Practices class seemed to go well - the students seemed engaged, and I saw no signs of a coup (yet). As part of the class, we'll have a blog, to which students will be posting work, and reading online interviews with photographers and industry professionals.

I went a little crazy in compiling the list, and there are now 201 interview links!, and we'll be posting our own interviews as well. The first assignment for the blog was to post a favorite photograph made over the summer. Please stop by to see these and future pictures by the students, as well as to poke around the interview link list.

http://miad-fa382.blogspot.com/

8.30.2009

within reach: inside


















condensation on the front window © kjm

It's starting to get cooler.

[within reach is a series of photographs examining the environment of home in detail]

8.28.2009

new kid



















© Matthew Monteith, from the series Art School

Syllabi? Check. Lunch money? Check. It's my first day of class today - wish me luck.